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Ken Vandermark

Resonance (10-CD's box-set)

Wydawca: Not Two, 2009
Symbol: MW 830-2
Nośnik: CD

target="_blank" href="http://www.chazzforjazz.com/servlet/Detail?no=1037"> Buy this 10-CD's September now

Content:

Disk 1: Day One, September 1 & 2 (small Groups)

Day One, September 1: 6:57 / 15:54 / 9:00
Drums Tim Daisy
Dave Rempis alto sax
Mark Tokar bass
Yuriy Yaremchuk soprano sax

Day One, September 2: 1:44 / 7:17 / 7:57 / 4:56
Yuriy Yaremchuk tenor & soprano saxes, clarinet
Ken Vandermark baritone sax, clarinet
Dave Rempis tenor sax
Mikolaj Trzaska alto sax
Disk 2: Day Two, Set 1 (small groups)

Day One, September 3: 9:49 / 9:45 / 7:42
Michael Zerang Drums
Magnus Broo trumpet
Per-Ake Holmlander tuba
Steve Swell trombone

Day Two, Set 1: 15:00 / 5:58
Per-Ake Holmlander tuba
Ken Vandermark tenor sax, clarinet
Mark Tokar bass
Steve Swell trombone
Disk 3: Day Two, Set 2 & 3 (small groups)

Day Two, Set 2: 13:21 / 24:55
Michael Zerang drums
Mikolaj Trzaska alto sax, bass clarinet
Mark Tokar bass
Yuriy Yaremchuk tenor & soprano saxes, clarinet

Day Two, September 3: 16:20 / 6:14 / 5:20 / 10:11
Drums Tim Daisy
Dave & high tenor saxes Rempis
Magnus Broo trumpet
Michael Zerang drums
Disk 4: Day Three, Set 1 & 2 (small groups)

Day Three, Set 1: 13:17 / 12:54 / 5:34
Drums Tim Daisy
Mikołaj Trzaska alto sax, bass clarinet
Mark Tokar bass
Steve Swell trombone

Day Three, Set 2: 6:06 / 11:50 / 4:25
Magnus Broo trumpet
Per-Ake Holmlander tuba
Yuriy Yaremchuk soprano sax, clarinet & bass clarinet
Disk 5: Day Three, September 3, and Day Four Set 1 (small groups)

Day Three, September 3: 17:58 / 13:22 / 6:24
Michael Zerang drums
Dave & high tenor saxes Rempis
Mark Tokar bass
Steve Swell trombone
Ken Vandermark tenor & baritone saxes, clarinet

Day Four, Set 1: 23:42 / 5:54
Drums Tim Daisy
Yuriy Yaremchuk soprano sax, bass clarinet
Mark Tokar bass
Steve Swell trombone
Disk 6: Disk 5: Day Four September 2 & 3 (small groups)

Day Four, Set 2: 21:25 / 10:28
Michael Zerang drums
Mikolaj Trzaska alto sax, bass clarinet
Dave & high tenor saxes Rempis
Per-Ake Holmlander tuba
Magnus Broo trumpet
Ken Vandermark baritone sax, clarinet

Day Four, September 3: 13:37 / 11:29 / 4:07
Michael Zerang drums
Drums Tim Daisy
Disk 7: Day Five September 1 & 2 (small groups)

Day Five, September 1: 14:36 / 17:29
Mikolaj Trzaska alto sax, bass clarinet
Drums Tim Daisy
Mark Tokar bass
Dave & high tenor saxes Rempis
Magnus Broo trumpet

Day Five, September 2: 14:23 / 6:51 / 3:21
Ken Vandermark tenor & baritone saxes, clarinet
Mikolaj Trzaska alto sax, clarinet & bass clarinet
Yuriy Yaremchuk soprano sax
Per-Ake Holmlander tuba
Steve Swell trombone
Disk 8: Day Five September 3 (small groups)

Day Five, September 3: 20:27 / 16:03 / 6:21
Mikolaj Trzaska alto sax, bass clarinet
Drums Tim Daisy
Mark Tokar bass
Dave & high tenor saxes Rempis
Yuriy Yaremchuk tenor & soprano saxes, clarinet & bass clarinet
Steve Swell trombone
Per-Ake Holmlander tuba
Magnus Broo trumpet
Ken Vandermark tenor & baritone saxes, clarinet
Disk 9: Final Concert, September 1

CD # A Final Concert 45:07
1. Landshaft (for Marek Winiarski) 21:05
2. Counterprint (Wawrzyniec for 'Laurence "Makinia) 24:02
Disk 10: Final Concert, September 2

CD # B Final Concert 37:56
1. Off / Set (for Olek Witynski & Jacek Zakowski) 16:24
2. The Number 44 (for Ania "Czarna" Adamske) 21:32

All compositions by Ken Vandermark (Twenty First Mobile Music / ASCAP)

Line-up:

Ken Vandermark (USA) - tenor & baritone saxes, clarinet
Yuriy Yaremchuk (Ukraine) - tenor & soprano saxes, bass clarinet
Mikolaj Trzaska (Poland) - alto sax, bass clarinet
Mark Tokar (Ukraine) - bass
Steve Swell (USA) - trombone
Dave Rempis (USA) - tenor saxes & high
Per-Ake Holmlander (Sweden) - tuba
Tim Daisy (USA) - drums
Magnus Broo (Sweden) - trumpet
Michael Zerang (USA) - drums, percussion

Recorded:

in Krakow, Poland between' November 12 and 16, 2007, and in Lvov, Ukraine on November 17, 2007

Credits:

• Recorded at Alchemia (small groups) and Manggha Hall (final concert) in Krakow, Poland by Marcin Chlebowski, Michal Cholewa, Jacek Laton - MAQ Records Studio
• Small groups mixing and mastering by Michal Rosicki at Bruelsound Edit Room & MAQ Records
• Final concert mixing and mastering by Ken Vandermark and Bob Weston at Chicago Mastering Service
• Reviews by Janusz Jablonski and Tomasz Gregorczyk
• Photos by Katarzyna and Krzysztof Penarski Paletko
• Design by Marek Wajda
• Executive producer: Marek Winiarski

About:

When composing for a group, Ken Vandermark as a rule Takes Into Each account Factors Such as musician's approach to improvisation, personal tastes and individual sound. So When I chose to compose for a Tentet That included musicians Who Were Virtually an unknown Quantity to him - musicians Such as Polish saxophonist / clarinetist, Mikolaj Trzaska and the Ukrainian duo, Yuriy Yaremczuk on reeds on bass and Mark Tokar - it Could Have Been seen as a foray Into Relatively unknown Territory. And It Was to an Extent, although the leader HAD Already forged an intimate understanding to Some of the musicians with Who Were Involved - percussionist Tim Daisy and saxophonist Dave Rempis are fully-fledged after-all Members of the Vandermark 5 and Ken have Worked with Swedish trumpeter Magnus Broo in the Four Corners project. Also I is familiar with the work of tuba player Per-Ake Holmlander and percussionist Michael Zerang As They play together in Peter Brötzmann's Chicago Tentet. But nobody in the Tentet - extraordinarily, Given His reputation and work Ethic - Had Previously Performed with New York-based trombonist Steve Swell. Vandermark completed Arrangements The Majority of the six day over the Period Before the group to arrive. Some of the sketches out compositions HAD Been Previously Were and others inspired by the atmosphere and people Ken Associated with Krakow, the historic old City That you Become His second home.

When the musicians Arrived, They Found Themselves immersed in a Punishing schedule started with daily rehearsals That That started at 10am - sharp. Although Musically Justified Always Open to new ideas, call for extraordinary precision Vandermark In These rehearsals. Unsurprising That It Was So many of the musicians really let off steam in the evening sets Freely improvised That Follow the rehearsals. But it Did not Stop There. Many of the musicians espoused sleep After the evening sets in Favour of bison-grass-vodka-Fuelled discussions about music That Lasted well Into the night.
At the end of the week, music fans from all over the region flocked to the concerts in Lviv and Krakow HAD Been That the musicians rehearsing for the Preceding over five days, one group Even chartering a jet from Georgia. At the End of the week, When It Was Time to say goodbye, the bonds Formed Between "Some of the musicians That" Some Were so strong Could not Contain Their tears. But for many of These artists Rather Than It Was farewell adieu as many INTEND to build on Their Resonance Each experience by collaborating with again in the future. (Philip Palmer, Jazzwise magazine)

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